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The first correspondence discovered was dated 1951, but itıs hard to tell
exactly where and when Riley Illustration began. There are rumors about
whom Ted Riley represented and whom he did not: no one could ever be sure.
Thatıs because he never advertised the artists and their art as wares. But
beautiful books were made, funny ones too, books you may have read as a
child or reread to your children, and ad campaigns and magazine covers,
cartoons and caricatures--all top notch, all seemingly out of the blue.
One thing we know: he set the standard for integrity and good taste, and is
credited by some with creating the profession of artist agent.
Although my name isn't Riley, I adopted both the agency and its legacy of
excellence nearly fifteen years ago. While a handful of the artists from
that time remain, others have joined the agency without ever knowing Ted.
Yet I am certain that Ted Riley lingers here, for the collective work of our
artists is known for its unerring eye, its gemlike originality, its wit,
intelligence and style.
Many awards each year are gratifying for both the artists and their agent,
but what I find most rewarding is the beauty and grace and humor we bring
into the world each day. We collaborate with art directors and designers,
editors and organizations to create something new, enlighten and enliven
text, make beautiful books, solve problems both large and small (from murals
to spots) and animate the message or brand.
It's especially inspiring to create connections between commerce and art.
As the computer and stock art have changed the nature of what we do, many
solutions are fast, predictable and all too generic. Much of what passes
for commercial art is visual fast food.
For art that is freshly made and original, served up with style and the best
ingredients, please call us.
And be sure to keep an eye out for sightings of Ted Riley. We believe we've
glimpsed him in galleries, newsstands and bookstores across the globe.
Teresa Shelley
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